The Master of Fine Arts in Directing program trains artists to know who they are in themselves, so that they will know who they are in the world.
The MFA program pursues this goal by guiding each director to discover, develop and apply their individual artistic voice with vision and integrity. We accept three highly motivated individuals each year – artists with a passionate drive to work in the theater at the highest level of creativity and accomplishment. We give strongest consideration to those who have been directing work, running theater companies, and contributing to the emerging landscape of contemporary theater. These directors seek out a graduate program because they are ready to slow down and engage in a deep examination of what they want to say, how they want to say it, and why they want to say it in the theater. We provide a place for this crucial introspection, supported by rigorous scholarship, a fully-funded assistantship, and intensive mentoring. We prioritize each artist’s role and opportunity in a professional community.
We train directors to:
Directors accepted into the program will work side by side with a gifted cohort of MFA designers and our award-winning faculty. The course of study includes a rich and unique curriculum that puts the focus on a director’s personal vision, depth of craft, leadership, creativity and collaborative voice, and how these skills are employed in relationship to the community context in which they will work.
Directors are exposed to an expansive range of artists, scholars, and critical perspectives, while being supported in close tutorial relationships with a core faculty. While collaborating with actors and designers in classroom and production activities, they also learn advanced directing theory and practice from working directors at such prestigious national theatres as Steppenwolf, The Goodman Theater and Lookingglass, among many others. As well as having opportunities to develop and lead projects on campus, students may pursue varied production opportunities such as professional internships in the multifaceted and thriving Chicago theater community.
The MFA in Directing program is a terminal degree based on nine quarters of full-time study, with a minimum course of three classes each quarter. Students in the program are expected to complete all coursework for the degree in three years, with up to two additional years to complete the written thesis and the accompanying oral defense.
The program focuses on four categories of core study: Artistic Collaboration, Theatrical Storytelling, Theater History and Context, and Civic Engagement. Through these lenses, we seek to develop:
Core courses include:
Text Analysis, Director/Designer Collaboration, History of Directing, Dramaturgy, Theatre History, Advanced Directing Seminars, Master Classes in Civic Practice, Rehearsal Techniques, Alternative Performance, Physical theatre, Direct Address from the Stage, and a special, multi-faceted sequence of courses that hone theatrical storytelling techniques, including Devising, Theatrical Adaptation, Site Specific Theatre, and Toy Theatre. Course work in this program focuses on a variety of contemporary aesthetic approaches, while steadily developing creative leadership, clear spoken and written articulation of directorial point of view, and informed awareness of the theatre artist’s powerful role in a greater social and community context. Electives and special topics courses include a wide variety of offerings in Performance Studies, Theatre History, Art History, Comparative Literature, and many other fields; students often choose their later courses to complement the development of the thesis.
Completion of the MFA degree culminates in a written thesis and oral defense. The written thesis reflects on the student’s three independent directing projects, one staged each year in the program, and each of which has equal weight in the thesis development process. Our facilities include two black-box theatres, two main stages, and a complete costume and scene shop.
The first-year directing project is a Classroom Workshop production that takes place in a simple space with no design, and focuses on a theatrical question of particular interest to the student. The student then explores this question through production work with actors, negotiation of spatial relationships, understanding and application of basic principles of design, development of storytelling and text analysis techniques, and discussion with faculty and professional mentors. Students document this process through a journal, a detailed production notebook, and a written paper.
In the second year, students each direct a Studio production that is performed in one of the Department of Theatre’s two black box spaces as part of the MFA Lab Series. This production is born out of the Collaboration: Contemporary Drama class, in which each director is teamed with a group of MFA designers with whom they move through the entire pre-production process of a larger-scale performance with the support of faculty and professional mentors. Again, students document the process via a journal, production notebook, and written paper.
Assuming successful completion of all course and production requirements, the third-year production becomes part of the Mainstage Wirtz Center for the Performing Arts season, where student directors fully participate in the experience of directing/programming for a major theatre. In their third year, students meet with the thesis advisor in preparation for presenting the written portion of their thesis, which provides a comprehensive and clearly articulated overview of the documentation of the last three years. Once the written portion of the thesis is submitted and approved, it is followed by a visual presentation and oral defense.
In addition to the three required directing projects, other production opportunities available are sometimes available within the Department of Theatre; the Director of the program determines such assignments.
All work is produced in the Wirtz Center for the Performing Arts, which contains four performance spaces:
Each university in the Unites States of America sets its own admission standards so there isn't the same criteria for all the students and the university can decide which applicants meet those standards. The fee for each application is between $35 to $100.
After the selections of the universities you want to attend, the best of all would be to contact each university for an application form and more admission information for the international students. Moreover, for a graduate or postgraduate program it's necessary to verify the admission requirements. Some programs require that you send your application directly to their department.
Admissions decisions are based on students's academic record and different test scores, such as TOEFL, the SAT or ACT (for undergraduate programs) and GRE or GMAT (for graduate programs). Admission decision is based on your academic results and motivation.
Financial support in the form of production assistantships is given to all students in the MFA programs. Assistantships include a full tuition waiver for all three years and a partial stipend. Students fulfill requirements for assistantships through a variety of assignments in the Theatre Center as project directors, project supervisors, shop supervisors, teaching assistants, instructors for introductory directing courses, and production management assistants.